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Going Out In Style; At Houston's most elegant funeral home, death is just an excuse for the last, best party you'll ever attend.

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(Copyright Texas Monthly. 2009)


Before I could even knock, the front door of Bradshaw-Carter Memorial & Funeral Services, on the edge of Houston's posh River Oaks neighborhood, opened without a whisper, and there stood the proprietor: a trim, dapper 49-year-old named Tripp Carter, wearing a tailored charcoal-gray suit, a starched white dress shirt, a black-and-white-striped Brooks Brothers tie, black Gucci slip-ons, and a Rolex watch. "Come in, my friend, come in," he said as he pulled the door farther back, ushering me into a breathtakingly high-ceilinged foyer. On one wall was an early-sixteenth-century icon on wood of the Madonna and child; on another were four pencil drawings by the old masters. A seventeenth-century Flemish chest with ebony and inlaid red tortoiseshell stood in a corner of the room. In the center was another seventeenth-century piece, an elaborately carved marble table made in Venice, and on top was a Ming-era porcelain bowl filled with white orchids. Surrounding the bowl were half a dozen Manuel Canovas Fleur de Coton candles imported from France, their scent lingering in the air.

"You're kidding," I murmured. "All this for a funeral home?"

"At Bradshaw-Carter we believe that beauty can soften sorrow," Carter gently replied, his perfectly brushed, prematurely gray hair glistening under the glow of an Italian crystal chandelier. He patted my arm and led me across the travertine floor into a library filled with settees, armchairs, oil paintings, and Oriental rugs; an English antler chandelier hung from the ceiling, and a rich red fabric covered the walls. A fire crackled in the fireplace, and classical music slipped out of invisible speakers. Carter handed me a long-stemmed glass of champagne, lifted his own glass, and then said, with a pleasant smile, "Cheers!"

It's the ultimate in death chic: a funeral home so fashionable that Houstonians drop in just to get a look at it. Besides the foyer and the library, there are sitting rooms and lounges and a "salon" filled with ivory and gold French furniture. Instead of a traditional dimly lit chapel with long pews, there's a sun-filled garden room with two hundred handcrafted Italian chairs and an exquisite hand-painted mural of an Italian landscape covering the four walls. There's even a classically designed "grief library," whose shelves are stocked with soothing books on death and dying.

Compared with a typical funeral home, with wall-to-wall carpeting, reproductions of famous paintings, bowls of potpourri, and furniture that actually came from a furniture store, the redbricked, Georgian-style Bradshaw-Carter, which opened in March 2004, looks like a baronial mansion. And it's not only the decor that stands out. Bradshaw-Carter stocks made-to-order caskets (one built by Trappist monks, another created from the willow trees of an English estate) and rare leather cremation boxes trimmed with game-bird feathers (made by Pineider, of Italy). It has salespeople on call at Neiman Marcus and the high-end boutique Tootsies to provide appropriately dark designer outfits (what Carter calls "specialized mourning dress") to the grief stricken who desire more-elegant funeral attire for themselves or their departed loved ones, and it has its own collection of luxurious pajamas and robes by Frette, also of Italy, so the deceased can look as though they have literally been laid to rest.

What is perhaps most unusual about Bradshaw-Carter is that it encourages mourners to hang around as long as they want after the funeral, going so far as to offer postfuneral receptions with "wake menus" created by Houston catering guru Jackson Hicks. The food and beverages--coffee, tea, and cocktails--are served by waiters in white coats. A harpist, a pianist, a string quartet, or a dance band is brought in to perform in the salon, and valet parkers are waiting outside to retrieve the guests' cars. "We want your time here to be both intimate and memorable," Carter told me as the classical music swelled. "We do our best to give you the ultimate goodbye experience."

Bradshaw-Carter was the brainchild of Carter's life partner, Ron Bradshaw, who died of pancreatic cancer last June, at age 49. For years, the winsome, boyish Bradshaw was one of New York's most respected interior decorators, renowned for re-creating historic European looks in five-star hotels and the grandest Upper East Side town houses. In the early nineties he had a staff of more than thirty, and Architectural Digest and Vogue regularly featured his work. He was such a delight at dinner parties that Gotham's ladies of leisure clamored for his attention.

Within a few years, however, those same ladies were rendered nearly speechless when he announced he was moving to Houston to apprentice at George H. Lewis and Sons, one of the city's most prominent funeral homes. "Ron used to talk about how he had gone to his uncle's funeral when he was a little boy and noticed how peaceful he looked in the casket," said Carter, who was the director of development for the Menil Collection when Bradshaw arrived in town. (The two met at their high-rise apartment building and quickly fell in love.) "He and his brother later began playing funeral director in their backyard clubhouse, making caskets for dead bugs out of matchboxes and having solemn services for them. It wasn't that Ron had some morbid obsession with death. He truly believed that a funeral could be a transforming experience for people during their time of greatest loss."

During his apprenticeship, Bradshaw honed his embalming skills, spending hours on a body, using a variety of solutions and cosmetics to achieve a lifelike look. ("He would not allow one of his bodies to come off the embalming table looking gray," said Carter. "He wanted them to look like they could get up and walk.") Whenever he would return to New York to finish up decorating jobs, he'd drop by Sotheby's auction house to buy items that would look good in what he called his "dream home"--the funeral home he planned to build someday.

Although most funeral homes are part of corporate chains--the biggest in the country is Houston-based Service Corporation International, or SCI, which owns more than 1,300 funeral homes, including George H. Lewis and Sons--Bradshaw was determined to run his own shop. Corporate funeral homes, he believed, were too profit driven. They operated like hotels for the dead, with giant lobbies where two or three families arrived at the same time and were ushered into adjoining rooms to view bodies. "He believed a funeral home should be just that--a home in which we serviced only one family at a time," Carter recalled. "He even said he was going to install an in-house crematory so that our mourners would know that their loved one's ashes were always here and hadn't been mixed up with anyone else's."

Bradshaw and Carter bought property on West Alabama Street, less than three miles from SCI's headquarters, and began building their 15,000-square-foot dream home, including a small upstairs apartment. By the time they opened they had spent every cent they had on the building and the furnishings--"several million dollars," Carter told me, "so much that everyone in the business thought we were completely crazy." Carter's friends were baffled when they heard he had given up his prized job at the Menil to work at the funeral home greeting mourners, leading them to their seats in the garden room, and making sure the services ran smoothly. "They said, 'What do you know about death?' I said, 'I'm sorry, but death is now my life.'?"

For their grand opening, the two men held a fundraiser for the Human Rights Campaign, which lobbies for equal rights for gays and lesbians. Much of Houston society turned out in formal wear, chatting happily as they milled about in the grief library or by a display of urns. PaperCity was so impressed that it devoted an entire page to Bradshaw-Carter, assuring its status-conscious readers that it was a place that would send them into the hereafter "not with a whimper but with a no-expense-spared bang." Bradshaw posed for pictures in a blue blazer, shirt and tie, chinos, loafers, and no socks. Nobody had ever seen a funeral director dressed like that.

It wasn't long before charity groups began using Bradshaw-Carter for their own fundraisers. Arts organizations put on chamber music concerts. One well-known man about town, Gilbert Johnson, held his fiftieth-birthday party there, popping out of a casket with a champagne glass in one hand and twenty pounds of chocolate in the other. The grande dame of Houston's social scene, Lynn Wyatt, delivered Johnson's "eulogy."

But the main business, of course, was funerals, and Bradshaw's plan was to make sure that everyone, not just the city's elite, was given the opportunity to experience the Bradshaw-Carter send-off. Although other prestigious funeral homes charged more than $13,000 for a top-of-the-line service, they charged only $5,350. Their first funeral, in fact, was for a middle-class man who had died of a heart attack in front of his wife at the dining room table. "When the man's body was brought into the home, Ron and I wept," said Carter. "We were overcome with emotion that we had been given such a responsibility. To be honest with you, I can't remember any of our funerals where we didn't cry."

By the time Bradshaw was diagnosed with cancer, in June 2007, he and Carter were doing 150 funerals a year (not even close to the 400 to 500 a year reportedly done over at George H. Lewis, Carter noted, "but just enough for us") for everyone from infants--buried in bassinets designed by Bradshaw--to oilmen. For the postfuneral reception of her husband, an ice cream heiress had a jazz singer, a string quartet, and a country and western duo perform in different rooms. Bradshaw and Carter even did funerals for two of their own shih tzus, which were embalmed and placed in caskets.

Bradshaw's own funeral was one of the highlights of the Houston social season. Nearly two thousand people packed into St. Anne Catholic Church for his service--"there was not a peony to be had in the city that day," Carter said--and many of them later dropped by Bradshaw-Carter for the reception. Dressed in his favorite custom-tailored mourning suit, Bradshaw lay in the garden room in a mahogany casket he had designed himself, the interior lined with the plushest velvet. His eyes were closed; a peaceful smile was on his face. "The man has as much style in death as he did in life," someone said, munching on Jackson Hicks's finger food.

After Bradshaw's passing, corporate funeral home chains beseeched Carter to sell Bradshaw-Carter, but he adamantly refused. He still lives in the upstairs apartment and works seven days a week, continuing Bradshaw's quest to bring beauty to the sorrowful. (He has a staff of twelve, and his 82-year-old mother drops by each day to answer the phone and run errands.) When I asked if he ever considered finding a job again in the world of the living, he smiled and told me how he had recently arranged for a grieving mother to spend as much time as she wanted with her dead child, who had been laid out in an antique daybed with his toys scattered around him. "We put off the funeral, and she stayed there, on and off, for three days, until she finally began to feel she could let him go," he said.

Carter sipped champagne as tears filled his eyes. Then, before he could say a word, the phone rang. A man wanted to arrange a service for his father. "It would be my honor," Carter said. "It would be such an honor."

which room measures up?

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the answer: The one on the right. And the reason? Balance and proportion. Without those things, even a space filled with the most stylish pieces won't look pulled-together. Avoid your own proportional faux pas (a bitsy painting over a long sofa, a lamp shade bigger than the table it sits on) by following a few simple guidelines. Turn the page to find out how to make the elements in your rooms work in beautiful harmony.

living room

For your living room to be truly livable, pay attention to the details--an easy-to-reach side table, a carefully positioned lamp.

Mount a large mirror 8 to 10 inches above the sofa.

A coffee table should be about two-thirds the length of the sofa.

Floor-to-ceiling curtains play up a room's height.

Leave 18 to 20 inches around an area rug.

PROPORTIONAL POINTERS FOR LIVING ROOMS

lamps: To avoid being blinded by a glaring bulb, situate a table lamp so that you're not looking into the top when you're standing or seeing the harp when sitting, says Manhattan-based interior designer Thomas O'Brien. For table lamps, the bottom of the shade should land at shoulder height when you're seated on a sofa or a chair. "And you don't want a floor lamp to be too high or else it won't feel connected to the sofa," says New York City interior designer Sara Bengur.

tables: A side table should be an inch or two lower than the arm of a sofa, says New York City interior designer Elaine Griffin. Why? So that you're not straining to pick up a book or put down a cup of tea. The coffee table "should be two-thirds the length of the sofa," says Griffin.

mirror: Most people hang mirrors and art much too high. "Mount a large mirror 8 to 10 inches above the sofa," says Griffin. In general, "hang it high enough so that you don't hit your head when you lean back, but low enough so that you see the sofa and mirror as one unit," says Bengur.

window treatment: To accentuate the height of the room, hang floor-length curtains as close to the ceiling or molding as possible. Make sure the curtains touch the floor for maximum effect.

area rug: To keep the room airy, "leave 18 to 20 inches of floor space around the rug," says O'Brien. While a small (four-by-six-foot) rug should stand alone under a coffee table, it's OK to rest a sofa's front legs on a rug that is 8 by 10 feet or larger.

Sofa: Oly Studio, 775-336-2100

Table lamp: Arteriors Home, 877-488-8866

Floor lamp: jamieyoung.com.

Coffee table: bakerfurniture.com.

Side table: Arteriors Home, 877-488-8866

Mirror: highfashionhome.com.

Curtain panel: westelm.com.

Rug: meridameridian.com.

Armchair: hickorychair.com.

foyer

In this typically narrow space, where people (and bags and pets) tend to congregate, it's crucial to maintain a streamlined setup.

Mount small frames about an inch apart. If they don't line up perfectly, that's OK.

The ideal height for a pendant lamp? Six feet eight inches above the floor.

Runners should lie 20 inches from the wall.

PROPORTIONAL POINTERS FOR FOYERS

pendant lamp: Install a pendant or a chandelier so that the bottom is six feet eight inches above the floor. If you hang it much higher, you'll lose its visual impact. And if you hang it much lower, "you'll truncate the space," says Bengur.

framed photos: Mount small framed photos about an inch apart and large ones about two inches apart, says O'Brien. For a unified look, strike a balance between the color of the photos (some light, some dark), the size of the mats (some small, some big), and the thickness of the frames (some wide, some narrow), says O'Brien.

console: Choose a modest console that won't impede foot traffic (the one shown here is 18 inches deep). "It's nice to have a table that's just wide enough to put down your mail and keys," says O'Brien. "Leave some blank wall space at each end so the room doesn't appear cramped," adds Susan Corry, an interior designer in Los Angeles.

table lamp: "A taller-than-normal lamp--about 18 to 24 inches high--will make a tight space appear to have higher ceilings," says Corry. Be careful that the shade doesn't stick out beyond the edges of the table or it might get knocked over.

runner: In a foyer, it's best to see some of the floor and to keep the runner clear of furniture so the space has a feeling of openness; O'Brien says the runner should be about 20 inches from the wall. And the runner shouldn't extend the entire length of the hallway. You want to be sure that the front door can swing open freely.

Pendant lamp: nichemodern.com.

Runner: pillowsandthrows.com.

bedroom

To balance out your bed, steer clear of dinky artwork and teeny side tables and opt for symmetry.

The bottom of the shade should hit just above the headboard.

For queen- and king-size beds, choose side tables that are 30 to 36 inches in diameter.

A four-by-six-foot rug by the bed is ideal for most bedrooms.

PROPORTIONAL POINTERS FOR BEDROOMS

sconces or lamps: "Position the base of a sconce so the bottom of the shade hits just past the top of the headboard, but not by more than an inch or two," says Griffin. This way, when you sit up in bed, "it will sit above shoulder height and you won't get shadows from your head falling on your book," says Corry. As for those charming little boudoir lamps, they look minuscule next to even a full-size bed, so go for a table lamp that's at least two feet tall.

artwork: Make sure the piece you choose can hold its own against the bed. Keep this rule of thumb in mind: It should fill two-thirds to three-quarters of the wall space above the headboard, says Griffin.

headboard: When you lean back to read, the top of the headboard should be no lower than your neckline, so that your body is fully supported and your head can't hit artwork positioned above.

side table: Narrow tables (15 inches across) are fine for twin beds, but "you need wide tables--30 to 36 inches--to balance wider beds," says Corry. Plus, a larger table will give you more surface area for a water glass and reading material. And carefully consider the height. "Ideally, the top of a side table should be slightly lower than the top of the dressed bed," says Griffin.

rug: Why place a large area rug in the bedroom if the bed will cover most of the design? "I prefer a four-by-six-foot rug to run lengthwise alongside the bed," says Corry. According to O'Brien, placement "depends on where you walk in. If you enter the room near the foot of the bed, place a small rug there. If you enter at the side of the bed, put it near the side."

Kitchen of the Month

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2009 by Hearst Communications Inc


Loveladies, New Jersey: A Zen simplicity, with watery green marble counters and handcrafted wood cabinets modeled after traditional Japanese storage pieces

KITCHEN BY MARGUERITE RODGERS

INTERVIEW BY CHRISTINE PITTEL

PHOTOGRAPHS BY ERIC PIASECKI

PRODUCED BY WHITNEY ROBINSON

CHRISTINE PITTEL: A Japanese-style kitchen for a beach house in New Jersey? Please explain.

MARGUERITE RODGERS: When you arrive, you open a gate and walk through a courtyard to get to this very compact one-story house, where all the rooms flow into each other. The spirit of the place reminded me of a Japanese teahouse.

Cooking, dining, and living all happen in one big room. How did that affect the design?

I didn't want it to scream, 'Kitchen!' So the island and the cabinets look more like furniture. We modeled them on a Japanese tansu -- a storage chest that often has slatted doors. They slide open, as opposed to swinging out, which allows you to have larger openings and works really well in a small kitchen. If two people are cooking, one doesn't have to move out of the way every time the other opens a cupboard.

No seats at the island?

No. Too kitcheny, and if people are sitting around the island, it really limits the chef when he's trying to work. He can't spread out. Instead, we put a slim counter against the window where you could sit and have a cup of coffee and look out at the bay. The counter is cantilevered, so you still see glass above and below. And it's another strong horizontal, which is very typical of Japanese architecture and makes the space feel wider than it actually is.

What's on the counters?

A watery granite that's the color of the sea grass outside, and the bay on a cloudy day. Polished to bring out all the greens and grays and even a tick of terra-cotta that picks up on the walnut. It would have looked a little dull if it were honed. Another great finish for granite is to sandblast it and acid-wash it, which we do with black granite all the time. It gives it a little texture and nothing seems to show on it.

You set up the furniture concept and then you put a big stainless-steel top on the island. How come?

To be modern. It looks so pure and simple when the counter and the sink are molded out of one piece of stainless steel, and it's actually easier to clean -- no crevices to collect dirt. If I'm not doing a custom sink, I'll often use a brand called Blanco. They make a sink with the kind of perfectly square corners I like.

Why did you want the steel on the island to look so thick?

I wanted the wood part of the island to be the same height as the Nakashima dining table, for a consistent line, and then the stainless steel brings it up to a better height for chopping. In some way, for me, the stainless steel just disappears -- it's almost like glass or a mirror. You look right through it.

What's the best way to care for it?

Wipe down the sink after using it, so you don't get that drippy, drainy look, and buy one of those cleaners made specifically for stainless steel by 3M or Miele or Mrs. Meyer's. But you have to accept how it's going to patina. I look at that Nakashima table and see all the age and character in the wood, but if you can't stand any imperfection, certain materials may not be for you. I've studied woodworking, and when we started this project, I suggested that we look at Nakashima furniture. My client and I bought that walnut table and chairs at auction and chose walnut for the cabinetry. A space feels calmer when you don't have a million different woods.

Any other tips?

I like pull-outs in lower cabinets, but that doesn't mean you have to do them all as drawers. Here, I installed pull-out shelves behind sliding doors, but only after my client had unpacked all his stuff. Then we knew that one had to be 14 inches high to accommodate a certain pot -- and you can easily adjust them if things change. It's much more efficient.

Compact and efficient: A slim pull-out pantry is just to the right of the refrigerator. Cabinetry designed by Marguerite Rodgers and fabricated by Pappajohn Woodworking. Pine Valley granite from Doyle Gerlach. Altar hanging light with electrified candles from Holly Hunt.

Stainless-steel sink and countertop fabricated by Barry's Commercial Installations. Sliding Brazilian cherry cutting boards by Old World Butcher Block. Mythos faucet in satin nickel by Franke.

The George Nakashima table and chairs were bought at auction. The hanging system for utensils on the backsplash is from rosleusa.com.

Japanese stools from Liao Collection.

The table is set with handmade ceramic plates by Alice Goldsmith, through Barneys. Linen napkins from Crate and Barrel.

Iron hardware from Hida Tool & Hardware has an antique Japanese look. Moon pull.

Warabi pull on Fisher & Paykel dishwasher drawer with custom front.

One of Nakashima's signatures is the butterfly joint, as seen on the dining table. He was a master of traditional Japanese woodworking techniques and was also influenced by American Shaker furniture.

The breakfast bar by the window has a water view.

Cabinet doors slide open instead of swinging out, which takes up less room.

GET THE LOOK...

Custom cabinetry fabricated by Pappajohn Woodworking: 215-289-8625.

Pine Valley granite from Doyle Gerlach: 856-218-4500.

Stainless-steel sink fabricated by Barry's Commercial Installations: 570-674-9016.

Mythos faucet from Franke: 800-626-5771.

Dishwasher drawer from Fisher & Paykel: 888-936-7872.

Hardware from Hida Tool & Hardware: 510-524-3700.

Sharp Shops

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2009 by Hearst Communications Inc


Before, during and after the summer season, our favorite Hamptons home stores stylishly serve up the goods.

Turpan is 500 square feet of modern hits for home and body. Some are iconic, others deliciously under the radar. Opened: 2000. Specialty: High-functioning designs for kitchen, bath and dining room that show, according to cofounder Greg Turpan, that "quality has nothing to do with price." Witness the store's durable Japanese shopping totes ($48). Best sellers: Hermès china, Orrefors glass, Cire Trudon candles, Comme des Garçons clothing. Top shoppers: Joe D'Urso, Annabelle Selldorf. 55 Main Street, East Hampton; 631-324-2444.

[Photograph]: Katherine Turpan sets the table-cum-window display at her eponymous shop.
PHOTOGRAPHS: ELLEN WATSON (THE ELEGANT SETTING); KARL JUENGEL/STUDIO D (ALL OTHERS)

Balasses House takes some time to explore -- there are three barns and a main house loaded with European and American antiques -- but you'll come away with something that adds patina to any shingled saltbox. Opened: 1964. Specialty: "Tables!" as the late Teda Balasses was fond of saying. "Work everything else around them." It's still the mantra here, even though the shop's lively founder passed away last summer. Best sellers: 18th- and 19th-century furniture, crystal, and ironwork chandeliers. Select patterns of new casual china are easy to carry home for instant gratification. Top shoppers: Robert Stilin, Marshall Watson. 208 Main Street, Amagansett; 631-267-3032.

[Photograph]: Part of the midcentury mix at Wyeth.

Wyeth debuted in the Hamptons more than a decade ago before moving to lower Manhattan; last month the Mecca for hip, modern furniture and lighting returned, opening in a renovated barn in Sagaponack. Specialty: Midcentury Danish furniture and American classics, like pieces from Dunbar and Eames. Look past some mediocre seventies upholstery to original-production fifties designs. Best sellers: Hans Wegner Elbow chairs, custom bamboo tables. Top shoppers: D.D. Allen, Victoria Hagan. 3654 Montauk Highway, Sagaponack; 631-604-2103; wyethome.com.

[Photograph]: A desk vignette at Balasses House.

The Elegant Setting, the creation of Stephanie Finkelstein, carries new and vintage tableware as well as monogrammed linens and tote bags, both of which make smart hostess gifts. Opened: 2004. Specialty: The store's personal "archival" service will track down a hard-to-find vintage china or crystal pattern. Best sellers: William Yeoward and Riedel crystal, monogrammed accessories. Top shoppers: Dennis Basso, Alex Papachristidis. 31 Main Street, Southampton; 631-283-4747; the elegantsetting.com.

[Photograph]: Monogrammed gifts at the Elegant Setting.

MAKING A DAY OF IT A few more shops that are worth a stop this season: H Groome (9 Main Street, Southampton; 631-204-0491); Loaves & Fishes Cookshop (2422 Montauk Highway, Bridgehampton; 631-537-6066); Kinnaman & Ramaekers (2466 Main Street, Bridgehampton; 631-537-3838); Urban Archaeology (2231 Montauk Highway, Bridgehampton; 631-537-0124); R.E. Steele (74 Montauk Highway, East Hampton; 631-324-7812); Sylvester & Co. at Home (154 Main Street, Amagansett; 631-267-9777); Wayne Schwartz (303 Main Street, Amagansett; 631-267-2400).

Where Time Stands Still

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Like many city slickers, Michael and Emilie Bolton fantasized about trading their hectic Fort Worth, Texas, existence for a slower pace. But unlike other dreamers, these two up and moved to the Hill Country for a new start in a tiny old barn.

WRITTEN BY SKIP HOLLANDSWORTH

PHOTOGRAPHS BY ROBIN STUBBERT

STYLING BY BRIAN ANDRIOLA

In the barn's kitchen, a plank from Michael and Emilie Bolton's former house (propped against the cupboard) charts the growth of children and dogs. The table and chairs came from Homestead and Friends, a shop owned by Michael's brother.

Salvaged clock- faces hang by the stairs.

Michael and Emilie relax with Kylie the Weimaraner and Thula Grace, a Great Dane.

Vintage dishes turn a plate of figs into an elegant still life.

A pair of slipcovered Lee sofas, along with leather hassocks from the Arrangement in Dallas, furnish the Boltons' new living room; on the coffee table stands a classic Bolton detail, a vintage toy horse made from papier-mâché and horsehair.

A hallway coatrack becomes a creative composition of safari hats and photographs.

A $500 iron bed -- one of Emilie's most expensive purchases -- anchors this whitewashed bedroom.

Tucked behind these portraits of her parents, an empty frame creates a 3-D tableau.

The couple found both the hutch and vintage sign on antique-hunting jaunts.

This painted wooden dresser represents the only piece of furniture the Boltons brought with them from Fort Worth. Emilie picked up the wall hanging at Homestead and Friends. "I have no idea what it says," she admits. "I just like pigs."

In the mid-1990s, Michael and Emilie Bolton lived in a pleasant four-bedroom home in a pleasant neighborhood in Fort Worth, Texas. Both enjoyed successful careers as sales reps for large furniture manufacturers, and with their two kids off at college, they spent weekend afternoons at the country club playing golf and tennis. "If you wanted a portrait of a contented couple," says Emilie, "we were it."

Then Michael suggested they move to an abandoned 850-square-foot hay barn in the Texas Hill Country, near Fredericksburg, about four and a half hours away. Located on the property of Michael's brother, Tim, the barn was a century old. It had decaying floors, a rotted roof, and no electricity or plumbing. "Honey," Michael told Emilie, "this could be our dream house."

Their friends, of course, thought they were crazy. "You want to move to a little barn?" said one. "You'll kill each other in such a small space." Another wondered where the couple would shop -- Fredericksburg, she pointed out, had no mall.

But the Boltons -- together since the day they met in Austin at the University of Texas in 1971 -- "realized this was going to be a once-in-a-lifetime adventure," as Michael puts it. Their jobs allowed them to live anywhere they wanted, so in late 1997 the couple sold almost everything they owned, threw their dogs in the car, and off they went.

Michael's brother helped them hire a contractor to get to work on the barn right away, adding electricity, plumbing, new pine floors, and corrugated steel siding. Once the couple moved in, they began putting their stamp on the place. Emilie wanted a bank of French doors for the downstairs sitting area -- "What's the point of being in the country if you can't see it?" she says -- and also suggested painting the pine-wood ceilings and rafters white.

Emilie liked the results so much, she decided that "absolutely everything" that went into the barn had to be some shade of white: plain white, off-white, creamy vanilla, taupe. "And I wanted things that looked, well, distressed -- the more knocked-around, the better," she says with a cheerful grin. "Just so long as they were white."

Was this design scheme based on consultations with professional decorators? "Oh, heck no," says Emilie. "My mother always said that if the color is light, you're in a better mood, and I thought, Sounds goods to me."

The only new pieces of furniture Emilie purchased, which she put in the downstairs sitting area, were a white slipcovered sofa and two chairs by Lee Industries, the furniture company she represents (her husband works for Natuzzi). She found almost everything else while wandering through Fredericksburg's flea markets -- and Homestead and Friends, her brother-in-law's store. "Oh, man, he regretted giving me a family discount," she says, laughing. Emilie lugged home a dining table and mismatched chairs, old storefront signs, lamps, a collection of coffee cups -- even a wasp's nest that was, of course, off-white in color. Being on a limited budget, she wasn't searching for pricey antiques. "I liked the challenge of finding those odd little things that make a room come alive."

Over the years, the tiny barn became a sun-filled rustic cabin, brimming with enchanting and surprising arrangements of Emilie's purchases. She hung a cluster of salvaged clockfaces by the stairs -- "My way of letting people know that time here stands still" -- and placed a vintage wine rack next to the bathroom sink, where it holds rolled-up washcloths instead of the expected bottles of Chardonnay. "A lot of what I found cost just a few dollars," says Emilie. "I loved putting things together to see what would happen. I was having the time of my life. I didn't want to stop."

In fact, the Boltons didn't stop. In 2002, they built a 2,500-square-foot home next door, "to keep the adventure going," Michael says. The barn is now a guesthouse. As for those Fort Worth friends who said the Boltons would kill each other in the 850-square-foot space? They sleep out there -- quite happily -- whenever they come for a visit.

Customer preference for Pacific Northwest hardwoods

Homecenter.com

Two logs each of the Pacific Northwest hardwoods Oregon white oak (Quercus garryana) and bigleaf maple (Acer macrophyllum) were sawn into flitches, then sliced into veneer. The veneer was wrapped around molding stock. Veneer-wrapped molding of eastern red oak (Quercus rubra) and eastern maple (Acer spp.) was obtained. Samples from all four species were cut to 18-inch lengths and were either stained with light or dark finish or left unfinished as controls. These samples were used in face-to-face interviews of homecenter customers and professional homecenter buyers to determine preferences. Oaks were preferred over maples; eastern red oak was the most preferred species. The dark stain had a significant influence on customer preference; bigleaf maple was the most preferred species within this treatment. There were 43 of 59 customers who valued woods with "character" variation such as small knots or wavy grain patterns common to both Oregon white oak and bigleaf maple. Twenty-eight of those customers indicated that they have decorative trim or furniture resembling bigleaf maple or Oregon white oak, respectively, in their residences.

Previous marketing studies on hardwood specialty products have found that oak is the most preferred hardwood in the decorative hardwood market (2,5). However, these studies only assessed eastern hardwoods. Little information exists about customer preference for Pacific Northwest (PNW) hardwoods. This lack of information is understandable given that PNW hardwoods, except red alder, are not readily available. Although PNW hardwoods are currently used for a variety of products including cabinets and furniture, incomplete knowledge regarding the market performance of PNW hardwoods has contributed to the underutilization of this resource.

Niemiec et al. (6) provided the first regional survey of these commonly overlooked species. Inventories of California, Oregon, and Washington hardwoods show volumes of 2,170 and 463 million ft.3 for bigleaf maple (Acer macrophyllum) and Oregon white oak (Quercus garryana), respectively (6). However, studies on the feasibility of manufacturing and distributing decorative products made from these hardwoods are needed, especially as softwood harvests decrease and lumber prices rise.

Our overall objective is to add to the growing body of knowledge about the potential utilization of PNW hardwoods. In this study, we examined the feasibility of processing Oregon white oak and bigleaf maple into veneer for profile wrapping. We then used the veneer samples in a customer preference study to examine the market performance of Oregon white oak and bigleaf maple compared with two eastern hardwoods.

METHODS

VENEER WRAP STUDY We obtained two Oregon white oak logs of 8.5 and 11.9 feet in length and two bigleaf maple logs of 10.7 and 10.3 feet. Log volumes were calculated with Newton's formula (1). Although not commercially used because of the number of measurements required, it is reported to be the most accurate method of measuring the cubic volume of a log (1). The logs were then sawn on a Wood-- Mizer portable bandsaw to produce clear flitches approximately 1.5 to 1.75 inches thick and 5.5 to 6.0 inches wide. Oak flitches were dominantly quartersawn; maple flitches were quartersawn when possible, but were sometimes flatsawn to produce enough clear flitches of the appropriate dimensions. Lumber recovery factor (LRF) was calculated for each log as:

(lumber volume in cubic feet/ log volume in cubic feet) x 100

A sample of clear flitches was transported to the slicing mill. Flitches were placed on edge, separated with stickers, and conditioned in a concrete block chamber. Flitches were conditioned under a continuous cascade of hot water (180degF) for 48 hours, then were removed and transported to the slicer. Flitches were placed with the wide face down on a merry-go-round system where they were held down, with one flitch butted against the next. After one veneer was sliced, each flitch re-entered the hot water bath until it came around to be sliced again. Veneer was sliced lengthwise from the bottom of each flitch to a thickness of 21 to 22 thousandths of an inch; target thickness for wrapping was 20 thousandths of an inch. Veneer will shrink to about 19 to 20 thousandths of an inch during drying. A fleece backing was applied to add flexibility during wrapping. The fleece backing added approximately 3 thousandths of an inch to the thickness. Veneer was lightly sanded to the target thickness of 20 thousandths of an inch, then was transported to another mill for wrapping.

The Oregon white oak and bigleaf maple veneers were profile wrapped around molding stock. Wrapped samples were also made from veneers of eastern red oak (Quercus rubra) and eastern maple (Acer spp.). The veneer samples from the four species were transported to the Forest Research Lab, Oregon State University, where they were cut into 18-inch lengths and either stained with light or dark finish or left unfinished (control).

MEASURING CUSTOMER PREFERENCE

Sampling design. - We used a purposive sampling method, which consists of picking sample units based on their likely representation of the population of interest (3). The population of interest consisted of homecenter customers and professional buyers for the homecenter. A list of major central Willamette Valley homecenter and building material stores was compiled to access these two groups. Stores were located in Oregon at Corvallis, Albany, Salem, and Eugene. Six stores were chosen from these four cities; at least one store was visited in each city.

Interview design. - A questionnaire was developed for face-to-face interviews. We chose face-to-face interviews as the main survey method for two reasons. First, we could not compile a list of those who purchased from homecenters, since such a population is not fixed or readily accessible. Using face-to-face interviews with customers intercepted at the distributing location provided a way of surveying a population for which no list exists (4). Second, this was the only method that allowed the use of visual aids in the form of the molding samples. The questionnaire and interview format were first reviewed and tested by personnel at the Forest Research Lab. The questionnaire was then pretested on nine customers and one professional buyer at a local homecenter store.

Data was gathered on several Saturdays in the spring of 1996. Customers were asked to evaluate the finished (light and dark) and unfinished molding samples from all four species on the basis of their own personal preferences, while buyers were asked to evaluate what they thought their "average" customer would prefer. The same questionnaire format was used for both groups. Common names of the species were not revealed until the end of the interview to reduce potential bias. Factors such as price, availability, and product consistency were kept constant to further reduce bias.

In the first part of the interview, respondents evaluated the four species a total of three times. Both groups were asked to separately rate each species for light-stained, dark-stained, and unfinished sets of samples. For a particular finish, the respondent was shown one species at a time and asked to rate it on a 7-point scale (7 = very appealing; 1 = not appealing).

In the second part of the interview, both groups were asked to identify positive wood qualities of unfinished samples of each species. Additionally, customers were asked whether any of the species resembled decorative woods in their residences. If so, the product the sample matched was identified.

Analysis tools.- Analysis of variance (ANOVA) was used to analyze the results of the customer interviews (7). Differences in preference between stores were analyzed with a one-way design; a two-- way design was used to make comparisons of ratings among species across the light-stained, dark-stained, and unfinished samples. The analyses were followed by a multiple-range test to uncover specific differences. A regression approach was required to assess the interaction of species and finish. Preference was measured for statistical significance at the 0.05 probability level using Fisher's least significant difference.

Five professional homecenter buyers and 61 customers were interviewed. Not all interviews were complete; however, the interviews of at least 4 buyers and 59 customers were used in each analysis.

RESULTS

VENEER WRAP STUDY

The veneer wrap study provided insight into lumber recovery, internal stress, and slicing waste associated with manufacture. LRFs were calculated as 45.5 and 37.3 percent for the Oregon white oak logs and 60.5 and 47.0 percent for the bigleaf maple logs. Internal stress was evident in both maple logs, as boards "peeled" away from the cant during sawing. One board split lengthwise before being completely sawn from the cant. This exhibition of stress did not occur in oak logs.

Because of the sawing variation and other variables in the primary processing, sample flitches were not consistent in thickness. Different flitch thicknesses caused variations in the sliced veneer. Some of the first veneer sliced was unusable until the flitch thicknesses became equal. Mill management stated that the value of each slice of veneer wasted was from 40 to 50 cents. The maple veneer became wavy and would not lay flat during drying; however, Oregon white oak veneer remained flat. Although quartersawn when possible, some of the maple flitches were flatsawn. The mill manager stated that flatsawn veneer has more tendency to ripple while drying.

Veneer from Oregon white oak and eastern red oak had more defects after wrapping than did veneer from bigleaf and eastern maples. Unfinished samples of the oaks exhibited an increase in the severity of checks during the 3-week course of the survey. Most of the checks occurred near the contours of the molding; the Oregon white oak veneer even began to chip away from the core. The customers noticed the checks in Oregon white oak more than in eastern red oak. Oak is more susceptible to checking than is maple, but will not check when properly finished.

CUSTOMER PREFERENCE STUDY

Customer preference did not vary among the four store locations (p 0.05). There were significant differences (p 0.05) in customer preference among the four species for each of the three finishes. The two-way design showed that differences among species were somewhat dependent (p = 0.07) on the finishing of the samples. For each finish treatment, customer preference differed significantly among species. The rating scores were not significantly different between the light-stained and unfinished treatments. For both of those treatments, the order of most preferred to least preferred was red oak, Oregon white oak, bigleaf maple, and eastern maple (Figs. 1 and 2). Customers significantly preferred red oak over the other species and Oregon white oak over the maples for the light-stained and unfinished sets. There was no significant difference in customer preference between bigleaf maple and eastern maple in those treatments.

Dark stain was the only treatment that changed customer preference for a particular species. The mean ratings for the oaks and for eastern maple significantly declined as a result of the dark stain. Preference for bigleaf maple significantly increased above its preference in the light-stained and unfinished trials (Fig. 3). All dark-stained oaks had a muddy appearance, which may have caused them to be rated lower.

In addition to rating the individual species, each respondent was asked to comment on positive wood qualities such as grain, color, and special features of the four species. Special features included wavy grain and knots, which were the dominant features of the Oregon white oak and bigleaf maple samples, respectively. Unfinished samples were used for this question. Most customers interviewed provided remarks about these wood qualities. Forty-one (69%) of the respondents liked the knots in bigleaf maple; of those, 16 (27%) would not be willing to buy a wood with knots unless the knots were evenly dispersed through the grain. Forty (68%) of the respondents liked the wavy grain variation in the Oregon white oak samples; however, 12 (20%) said they rated Oregon white oak lower because they did not like its greenish-blue color.

Twenty-eight customers (47%) said that Oregon white oak and bigleaf maple resembled decorative wood in their residences; 7 respondents (12%) claimed that Oregon white oak resembled wood furniture in their homes (Fig. 4). Oregon white oak did not resemble any interior structures, such as paneling or flooring, nor did it resemble any cabinets in the respondents' homes; 13 (22%) felt that bigleaf maple resembled their trim.

Respondents did not typically recognize the maples. They often thought bigleaf maple was cherry, birch, or cedar. Eastern maple was often mistaken for hemlock, which is one of the most commonly used woods in trim work. This may explain why a large proportion of respondents matched eastern maple with trim in their homes. Respondents had a more difficult time distinguishing between the oaks. Several respondents knew they were looking at oak, but could not distinguish between red oak and Oregon white oak.

Customers did not show as strong a preference for red oak and eastern maple as buyers thought they would. Buyers felt that customers would significantly (p <>

DISCUSSION

It is technically feasible to use Oregon white oak and bigleaf maple for veneer and in trim applications. Better control over primary processing will produce flitches of acceptable size variation. As with most applications, a finish should be applied to oak before it begins to check. Such improvements would increase acceptance by manufacturers and customers.

Conditional preference for bigleaf maple demonstrates both the highly variable nature of its wood characteristics and customer acceptance of that variability. Almost 70 percent of respondents interviewed preferred bigleaf maple when the knots were well dispersed. The pattern of knots in wood cannot be controlled, however. Thus, only 40 percent of customers seeking a decorative wood with knots might actually prefer bigleaf maple, holding price and availability constant. This could make bigleaf maple more of a market risk than Oregon white oak.

We found that knots were an attractive feature to customers who preferred bigleaf maple. Grain variation was also favored by those who preferred Oregon white oak. Our results are consistent with the results of Idassi et al. (5); the customers interviewed in that study rated straight/even grain and the absence of surface flaws as contributing less to overall product value than perceived by producers. In our study, customers preferred decorative woods that had "character," which indicated to them that they were looking at real wood. The proliferation of artificial-grain products that resemble red oak may be a contributing factor to this preference among customers. The buyer-customer discrepancies may be due to the inability of the buyers to recognize some of the wood attributes that their customers actually prefer.

Integrating Oregon white oak into a marketplace dominated by red oak is problematic for both manufacturers and customers wishing to use local products. Several respondents said they would prefer to buy Oregon white oak over red oak once they were told where each species came from. However, a large proportion of respondents already had trim, interior structure, and cabinets that resembled red oak. Oregon white oak would not match well with red oak in such applications.

Targeting the furniture market might be a better marketing option for Oregon white oak. Respondents did not match their furniture with red oak as often as they did for Oregon white oak (Fig. 4). The unfamiliarity of Oregon white oak made many respondents feel uncomfortable about its workability. Customers might not have this discomfort if they could see finished furniture made from Oregon white oak.

CONCLUSIONS

Successful marketing of Oregon white oak and bigleaf maple to PNW residents will require appropriate strategies. Marketing of bigleaf maple should take advantage of its broader resemblance to other popular woods and its greater appeal when darkly stained. Visual demonstrations of dark-stained bigleaf maple at the point of sale might help in this regard. Marketing of Oregon white oak should address its association with furniture-- based products and its greater appeal when lightly stained.


This study indicates that there are opportunities for successfully developing markets for PNW hardwoods in veneer-- wrapped applications. However, market development efforts must acknowledge the differences between PNW and traditional species. Targeting consumers who value the unique characteristics of PNW hardwoods is key to success.

Effects of UPC barcoding on the relationships between homecenter buyers and wood products suppliers

Homecenter.com

Over the past two decades, the adoption of communication technologies that link marketing channel members has led to modified buyer/supplier interactions and structures. These technologies, termed interorganizational systems (IOS), are electronic buyer/supplier information exchanges that facilitate business transactions and increase the efficiency, competitiveness, and profitability in channels. Universal Product Code (UPC) barcoding, an IOS technology, was researched in the context of effects on channel relationships. UPC barcoding allows retailers to point-of-sale (POS) scan merchandise at the customer checkout and is an essential tool for inventory control and management. Retailers strongly encourage, and in many cases require, suppliers to provide UPC-barcoded products. As a component of the product offering, UPC barcoding is a non-core attribute that strongly influences supplier choice criteria.

OVERVIEW OF THE BUYER/SUPPLIER ENVIRONMENT

Research hypotheses were tested using data collected from wood products suppliers and retail homecenter buyers. In the homecenter industry, a number of interorganizational system (IOS) technologies are being adopted. These technologies link them with wood products suppliers and result in shortened order cycles and improvement in inventory replenishment and management (19). Wood products suppliers to these homecenter retailers are expected to adopt IOS technologies in order to remain competitive, since homecenter retailers may select only those wood products suppliers capable of IOS technology.

An emerging IOS technology important to homecenters is Universal Product Code (UPC) barcoding of individual products for point-of-sale (POS) scanning at the cash register. Vlosky and Smith (21) report that homecenter retailers implement UPC barcode POS scanning for a number of specific reasons, all of which are intended to increase efficiency, profitability, and competitiveness.

IOS TECHNOLOGY AND BUYER/SUPPLIER RELATIONSHIPS

IOS systems are based on information technology that transcends organizational boundaries. IOS technologies such as electronic data interchange EDI)1, barcoding for inventory management and control, and UPC barcoding support new approaches to managing product flow based on just-in-time (JIT) or quick response (QR) logistics strategies (24).

IOS technology adoption changes the way companies interact. Before addressing specific relationship impacts, we will present a brief review of buyer/supplier relationship research. Generalized models describing relationship interactions have been proposed. These models discuss antecedent conditions and processes for buyer/supplier exchange relationships (9,11-13,15). In addition to generalized models, specific channel dyadic interactions and relationships have been studied. For example, in the manufacturer-distributor context, models and conceptual frameworks that investigate relationship structures and success factors have been developed (2-5). In the manufacturer-homecenter retailer arena, Wortzel and Venkatraman (27) examine relationship linkages that support homecenter retailer competitive strategies and performance and manufacturer support activities.

With regard to effects of IOS adoption on relationships in channels, Clemons and Row (6) found that new IOS technology intended to coordinate business activities between buyers and suppliers are often met with distrust, ambivalence, and open resistance by exchange partners. They believe that some companies may never realize the potential benefits of cooperation and coordination between supplier and buyer that accompanies IOS technology. Taking a longer term perspective, Han (11) and Han and Wilson (12) see technology as the foundation in the development of structural bonding which, in addition to social bonding, constitutes the basis for relationship development. Accordingly, it is hypothesized that in the long term, adoption of IOS technology can affect the stability of channel relationships by developing structural bonds.

CORPORATE STRATEGY AND IOS

Vlosky and Smith (21) suggest that IOS technology represents a means by which products may be differentiated and business relationships enhanced and may serve as the basis for long-term and sustainable competitive advantage. Porter (18) cited technological change as one of the principal drivers of competition and competitive advantage in the value chain. In addition, he suggested that technology can shift the bargaining relationship between an industry and its buyers, create buyer/supplier interdependencies, and generally modify industry and channel structures. Parsons (17) describes a "strategic gap" that exists when companies do not implement available advanced information technology. He suggests that competitively, firms in industries where channel relationships are being altered by technology must be concerned with 1) consequent effects on relative power; 2) how technology affects the rate of new entry into industries by negating existing entry barriers or creating new ones; and 3) how technology changes industry structures by affecting rivalry bases among competitors within an industry. In addition, Konsynski and McFarlan (14) suggest that IOS technology improves the ability to compete by facilitating cooperation and partnership development with exchange partners. Partnerships may provide for shared investments in hardware and software, lead to reduced risk in leading-edge technology adoption, and serve as a new basis for supplier differentiation.

However, as exchange partners make the transition from paper-based to electronic-based communication, a number of events take place. IOS technology impacts all functional areas in channel organizations including documentation requirements, business procedures, personnel role modification, communication channels and modes, and transaction cost structures (25). As channel and business procedure practices progress to an electronic environment, these changes can create short-term system stresses.

A MODEL OF IOS-IMPACTED RELATIONSHIPS

The transition to an electronic business environment has distinct short- and long-term effects on channel relationships that occur in different stages. (Fig, 1) (23). The relationship before IOS adoption (to) is assumed to be stable and to have gone through the expansion phase in the relationship development process, as described by Dwyer et al. (9), where exchange partner roles are firmly established and performance requirements are mutually satisfactory. A benchmark level of commitment (Co) exists at this stage. It is proposed that IOS technology introduction into the relationship leads to disequilibrium and reduces relationship satisfaction and level of commitment (C1) for both parties (t1). It is not until later in the IOS technology-impacted relationship process (t2) that realized expectations of long-term relationship stability lead to strengthened structural bonding. Adjustment and accommodation typify the process toward re-establishment of trust, interfirm bonding, and commitment (C2) at or above pre-IOS adoption levels. With the introduction of IOS technology into the relationship, commitment drops and then regains ground in the long term (Co > C1 <>

The factors that determine pre-IOS relationship strength, countered by relationship stressing impacts, determine the width and duration of the "Relationship Satisfaction Gap" depicted as the trough in t1. Vlosky and Wilson (24) identified IOS-induced relationship stresses that create the "Relationship Satisfaction Gap" and gap counter forces. This gap is minimized when exchange partners are cooperative and exhibit a high degree of understanding and commitment to the other party through the IOS implementation process. Additional factors that minimize the gap include trust that has evolved in the relationship over time, the existing mutually accepted power balance, the level of importance that the exchange partner represents from a strategic perspective, and the general relationship structure.

A number of possibilities exist that may explain short-term relationship disruptions. First, both homecenter retailers and their wood products suppliers make investments solely to accommodate linking technology requirements. Specific investments such as these are of considerably less value outside the focal relationship (13). By making idiosyncratic investments in a relationship, channel members create incentives to maintain the relationship (1).

Homecenter retailers that scan UPC barcodes make specific technology investments by installing POS barcode scanning capabilities that require supplier support to function effectively. Wood product suppliers also make specific investments in developing UPC barcode application capabilities to satisfy customer requirements.

In addition to the financial costs, implementing unfamiliar technologies may have other negative effects on wood products suppliers. The typical supplier behavior to accommodate customers is an example of exercised power, as distinguished from latent or potential power. The customer mandating to the supplier to meet their IOS technology needs is consistent with the definition of channel member power given by E1-Ansary and Stern (10): The ability of a channel member to control marketing strategy decision variables of another member in a given channel at a different level of distribution.

From the buyer's perspective, short-term relationship stresses stem from a sense of frustration that wood products suppliers are not reacting swiftly or efficiently enough in implementing IOS technology. Konsynski and McFarlan (14) found this to be the case with many companies that initiate EDI. These companies were often shocked to find partners unable to assimilate even modest data technologies and applications. Homecenter buyers are also often frustrated at supplier lack of understanding regarding IOS technical fundamentals and implementation.

HYPOTHESES

The propositions and hypotheses center around the notion that short-term relationship disruption is due to differences in perceptions between wood products suppliers and their homecenter customers on how IOS technology should influence the relationship. These perceptual differences were tested in hypotheses H1, H2 and H3. First, homecenter customers, the initiators of technology, may perceive themselves to be in a position of power in the relationship as wood products suppliers attempt to respond quickly to their technical requirements. However, wood products suppliers that successfully satisfy customer IOS requirements early in the technology process may believe that they are in a favorable position because the IOS technology they provide is available in the short term from only a few wood products suppliers.

P1: The short-term channel relationship deterioration that results from IOS technology adoption is caused by the differences in how buyers and suppliers perceive the dependence that exists after IOS technology adoption.

H1: The greater the difference in perception of dependence, the greater the relationship deterioration.

Significant idiosyncratic investments may be made by both buyers and sellers when IOS technologies are implemented. These investments may be a means for improving process efficiencies that, in turn, make a positive profit contribution , or may simply be strategic costs of doing business incurred to maintain or develop market position. In any event, these investments are not readily redeployable to alternative business activities. One issue that complements the specific investment issue is the question of value that should be received for making these investments. One measure of value, the incremental price for implementing a customer-mandated IOS technology, was examined.

P2: The short-term channel relationship deterioration that results from IOS technology adoption is caused by the differences between how buyers and suppliers perceive the value of the IOS technology to the other partner.

H2: The greater the difference in buyer/supplier perception of IOS value, the greater the relationship deterioration.

IOS technology implementation can be an exasperating experience for companies that have little or no prior experience. Frustration can be compounded for wood products suppliers if technology adoption is customer mandated with seemingly impossible deadlines or when the technology is in the early phase of adoption in their industry. Wood products suppliers in this study faced both circumstances.

P3: The short-term channel relationship deterioration that results from IOS technology adoption is caused by disparate buyer/supplier perceptions of appreciation by the other exchange partner for the effort required to implement IOS technology.

H3: The greater the difference in perception of effort required to implement IOS, the greater the relationship deterioration.

Although there may be exchange partner frustration in the short term, the reward often is the expectation of a strengthened long-term relationship. The wood products industry is characterized by commodity products offered by many suppliers in an intensely competitive environment. Those suppliers that adapt to customer technology requirements believe that their market position will eventually be secured and anticipate subsequent future relationship stability. Homecenter buyers are also thought to initiate IOS technology with preconceived expectations of long-term relationship stability.

P4: In the long-term, after periods of disruption and relationship readjustment, IOS technology adoption strengthens channel relationships (t2 in Fig. 1)

H4: As more time passes after IOS implementation, the channel relationship becomes stronger.

The homecenter retail industry is but one customer base for wood products suppliers. Most wood products are used for construction and industrial applications that do not require the application of UPC barcodes. In addition, not all homecenters require wood products suppliers to barcode their products. Buyers and sellers that continue to conduct business in a non-IOS environment do not experience technology-induced relationship disruptions and, as such, should have better short-term relationships with exchange partners.

H5: The short-term relationship between buyers and suppliers who have not adopted IOS technology is stronger than between IOS technology adopters.

METHOD

DATA COLLECTION AND RESPONSE RATES

The study sample consisted of the 500 largest (by sales) homecenter retail companies in the United States. The National Home Center News "Annual Retail Scoreboard" (16) was used to identify and select sample frame members. The Directory of Home Center Operators and Hardware Chains (8) was used to identify key employees of sample frame companies. The sample design was determined to be most appropriate due to the belief that larger, more influential homecenters are early adopters of IOS technologies (22,26), a premise that was found to be statistically significant (19). The sample of the 500 largest firms represents 67 percent of the 1992 $67 billion homecenter industry, with the range of sales revenue by firms in this group from $7,148 million to $12 million (16).

On the supplier side, the sample consisted of the 597 largest (by sales revenue for distribution intermediaries and by volume for manufacturers) wood products companies in North America taken from 8 supplier populations (manufacturers of 7 major product groups: softwood lumber, hardwood lumber, treated lumber, softwood plywood, particleboard, medium density fiberboard, and oriented strandboard/waferboard, as well as distributors/wholesalers), Industry directories were used to identify and select sample frame members and to identify key employees. As is the case with homecenter retail buyers, the purposive (judgment) sample design was determined to be appropriate (20).

The study was conducted using mailed surveys. Survey development and implementation followed methods and procedures recommended by Dillman and described as the Total Design Method (TDM) (7). Accordingly, the mail questionnaire procedures, including pre-testing, pre-survey notification of the initial mailing, a post-survey reminder, and 2 additional survey mailings resulted in an adjusted response rate for homecenters of 35 percent (177 usable surveys from 500 firms) and an adjusted response rate for wood products suppliers of 50 percent (272 usable surveys from an adjusted sample size of 540 firms).

There were 54 wood products suppliers capable of using UPC barcoding and 16 homecenter retailers. The low number of IOS-capable companies indicates the early stage of adoption in this industrial channel.

PROFILE OF RESPONDENTS

The 1992 average sales for the 177 homecenter retail respondents was $177 million and ranged from $12 million to $7.1 billion. The 177 responding homecenter companies represented $30. billion in total sales in 1992 or 33 percent of the entire homecenter industry (16). To illustrate the importance of large multi-store companies in the homecenter industry, just 15 percent of homecenter respondents (26 companies) account for 88 percent ($28.3 billion) of total 1992 respondent sales. Point-of-sale scanning homecenters are characterized as large (sales > $100 million) multi-store chains (20).

Respondents for the seven wood products manufacturing sectors surveyed represented an unweighted average of 47 percent of total North American production in 1992 across all sectors (22). Distribution intermediary respondents represented over $18 billion in revenue in 1992. As is the case with homecenter retailers, large wood products supplier companies lead in implementing UPC barcode technology to serve the homecenter customer base, with respondent UPC barcoding company production being 218 percent higher on average than that of non-UPC barcoding companies in 1992 (19).

MEASURES

Homecenter retail customers and wood products suppliers responded to questionnaire items to assess short- and long-term effects of technology adoption on their business relationships. The following measures were used: dependence-power, short-term commitment, long-term commitment, supplier adaptation to customer technology requirements, and sensitivity to supplier technology implementation challenges and customer technology needs. Items used 5-point scales indicating varying levels of agreement (1 = strongly disagree; 3 = neither disagree nor agree; 5 = strongly agree).

Paired questions were asked of buyers and wood products suppliers for each of the key measures and although these pairs conceptually are parallel, question wording was problematic. An attempt was made to minimize confusion by presenting results in a paired format.

RESULTS

In testing hypotheses related to short-term channel relationship disequilibrium, the items in Table 1 were used. (All results in Table 1 are for technology adopter respondents.)

Dependence was measured with questions regarding exchange partner importance in the relationship, general dependence, and specific technology investments made. All measures are statistically significant at a = .05 for 1-tailed t-tests, except for the degree of importance that buyers and sellers ascribe to themselves due to the volumes of product they buy or sell to technology-capable exchange partners. Differences are greatest in perceptions of supplier adaptation to customer IOS requirements and in the degree of specific technology investment.

Perception of value to the other partner was measured by asking whether a premium should be paid by customers for barcoded products. Buyer/supplier disagreement on whether such a premium should be paid is strongly significant at a = .05 for a 1-tailed t-test.

Effort expended was measured by asking homecenter retailers if they appreciate the technical challenges that wood products suppliers face in supplying barcoded products to them, and by asking wood products suppliers if they believed their customers in fact appreciated the challenges they face. The difference in buyer/supplier perception is significant at a = .05 for a l-tailed t-test.

Long-term strength of relationships was tested in two ways. First, by using both summary and detailed measures found in Tables 2 and 3, and second, by doing an analysis of variance (ANOVA) for an index of relationship measures for four successive time periods since implementation.2

Both buyers and suppliers were asked questions regarding their short- and long-term relationships with exchange partners. Table 2 compares the answers of buyers to suppliers and shows that the two groups did not statistically differ in the degree of agreement regarding short and long-term relationships. Table 3 compares the answers regarding a short-term situation with the answers for a long-term situation. When asked to compare their relationships with UPC-capable customers versus non-UPC customers, suppliers indicated that their relationships would be better with UPC customers in both situations, but the degree of agreement was significantly stronger (a = .05) when considering the long term. For buyers, agreement was also stronger in the long term, although the difference was not significant at a = .05. However, a p-value of.08 and t-value of -1.45 lend support to this hypothesis for buyers. This lack of significance at a = .05 is attributed to a lack of statistical power due to a small sample size (n = 16).

ANOVA yielded significant differences between relationship strength and the time period of UPC adoption for both buyers and suppliers at a = .05. Relationship strength was measured by indexes of relationship questions for both buyers and suppliers at the four different time periods. Even with small sample sizes, a strong positive linear relationship existed between relationship strength and time since companies began barcoding. Figures 2 and 3 show that the pattern of means for respondent companies for selected relationship questions over the four successive implementation periods further support our model. In some cases, relationship strength declines and rebounds over time; in other cases, relationship strength is positively related to length of relationship over all four time periods.

Short-term relationship quality (H5) was tested using the items in Table 4. UPC-capable buyers did not significantly differ from non-UPC buyers in their degree of agreement with selected relationship items. The same was true for suppliers, except for the item regarding the investment of time and expense. Although differences were detected and all are directionally as hypothesized, Hs was rejected at a = .05. It is important to note that, because both wood products suppliers and buyers are in the early stages of UPC implementation, the sample sizes of implementers are small vs. non-implementers (homecenter buyers: 16 implementers vs. 161 non-implementers; suppliers: 73 implementers vs. 143 non-implementers).

DISCUSSION

The results from this study suggest a number of implications regarding the impact of IOS technology on the relationships between homecenter buyers and wood products suppliers. Four of the hypotheses were supported reasonably well by the data, indicating that channel relationship deterioration does occur during early stages of IOS technology adoption. The data reveal a number of factors that contribute to this disequilibrium. The primary reason for relationship disruption is the chasm between buyer and supplier perceptions of the relationship status. In the short-term, there appears to be little sensitivity and understanding regarding exchange partner efforts to adopt this channel technology. Buyers are wary of supplier commitment to developing solutions in a timely manner and suppliers feel pushed to quickly adopt an unfamiliar technology without adequate customer support. Financially, wood products suppliers think their customers should compensate them for their efforts, but customers are vociferous in their opposition and are steadfast in not paying a premium for barcoded products. Over the course of time, relationship strength and satisfaction increase as exchange partners adjust to IOS technology. As channel members become accustomed to the relationship as it has been modified by IOS technology, the shocks to the relationship system seem to dissipate.

A realization that IOS technology is not extraordinary and that it is becoming a requirement for doing business leads to the anticipation of a higher quality relationship in the future. Both homecenter buyers and wood products suppliers feel that they will indeed have better business relationships with their technology-capable exchange partners in the long term than they have with them today.

LIMITATIONS AND FUTURE RESEARCH

Although this exploratory analysis identified a number of issues, limitations exist in the study. First, the analysis was conducted post-hoc using data collected as part of a broader research study. Second, a single IOS technology was studied in one channel. In order to generalize the stated conclusions, parallel studies should be conducted that examine other IOS technologies in this and other channels. Third, IOS technology in the wood products supplier and homecenter buyer channel is in the early stage of adoption, which does not allow for confirmation that long-term relationships eventually stabilize or exhibit relationship strength higher than found at pre-implementation. As technology adoption diffuses to other channel members, a temporal study might be conducted to examine long-term relationship stability. As a result of this channel being in the early stages of technology adoption, there is a small homecenter buyer sample size. Buyer data supported our hypotheses but the small sample size (n = 16) has low statistical power.

There are significant opportunities to build on this exploratory research, such as studies to investigate if other building material industries and marketing channels experience short-term relationship disruption as a result of IOS technology adoption and to identify underlying reasons for differences in buyer and supplier perceptions identified in this study. Although this study generates a number of questions, it has shed new light on implications for IOS technology adoption for wood products suppliers and their homecenter customers.